Exhibitions Archive (Search Results)

Yousuf Karsh, Gow Crapper Putting trim cord on rear window, Trim Line No. 1, Plant No. 4, 1951, gelatin silver print, 20.5 cm x 25.4 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.034

Brenda Pelkey, Front Garden, Kim Kimberly, 1989, Cibachrome photograph on paper, 50.8 cm x 190.0 cm
Collection of the Art Gallery of Windsor, purchased with the Contemporary Art Fund and the support of the Canada Council for the Arts Acquisitions Grants program/ Oeuve achetée avec l’aide du programme de Subventions d’acquisition du Conseil des arts du Canada, 2016, 2016.005

John Scott, The Avatar (the deathless boy), 1996, altered motorcycle, with found objects, 152.0 cm x 85.0 cm x 264.0 cm
Gift of Chris Poulson, 2001, 2001.096

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.001

Yousuf Karsh, Reese Davis and William Hendra, Plant No.2, Pattern Makers, 1951, silver halide emulsion on fibre-based paper, 75.2 cm x 100.6 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.001

Yousuf Karsh, Edward Lyons, Third Year Student at Gigbora Machine, Trade School, 1951, silver halide emulsion on fibre-based paper, 100.6 cm x 75.2 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.003

Yousuf Karsh, Benoit Dupuis, Wheel Rim Welding, Plant No. 2, 1951, silver halide emulsion on fibre-based paper, 86.0 cm x 61.0 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.002

Yousuf Karsh, Robert Trinder Photographed with Comparator (Training Program), 1951, silver halide emulsion on fibre-based paper, 100.6 cm x 75.2 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.004

Yousuf Karsh, Terry Trush, Maurice Lehoux, Ed Thurman, Mr. Lajeunesse, Final Assembly, Painting Booth, Plant No. 4, 1951, silver halide emulsion on fibre-based paper, 75.2 cm x 100.6 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.005

Yousuf Karsh, Orel Meunier Plant No. 2, Crankshaft Department, 1951, silver halide emulsion on fibre-based paper, 75.2 cm x 100.6 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.006

Yousuf Karsh, Emric (Jimmy) Saska, Set-Up Man, Plant No. 2, Valve Det. 39, 1951, silver halide emulsion on fibre-based paper, 100.6 cm x 75.2 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.007

Yousuf Karsh, Ed Pfeiffer, Plant No. 2 Cylinder Block Dept. 20, 1951, silver halide emulsion on fibre-based paper, 75.2 cm x 100.6 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.008

Yousuf Karsh, Ralph Mather, Final Motor Assembly, Plant No. 4, 1951, silver halide emulsion on fibre-based paper, 75.2 cm x 100.6 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.009

Yousuf Karsh, The Trade School (Discussion Period, with Head of School Mr. Moncrieff), 1951, silver halide emulsion on fibre-based paper, 100.6 cm x 75.2 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.011

Yousuf Karsh, Reese Davis and William Hendra, Plant No.2, Pattern Makers, 1951, gelatin silver print, 40.1 cm x 50.5 cm
Gift of The Ford Motor Company of Canada, Limited, 2013, 2013.012

Yousuf Karsh, Benoit Dupuis, Wheel Rim Welding, Plant No. 2, 1951, gelatin silver print, 50.5 cm x 40.1 cm
Gift of The Ford Motor Company of Canada, Limited, 2013, 2013.013

Yousuf Karsh, Edward Lyons, Third Year Student at Gigbora Machine, Trade School, 1951, gelatin silver print, 50.5 cm x 40.1 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.017

Yousuf Karsh, Robert Trinder, Photographed with Comparator (Training Program), 1951, gelatin silver print, 50.5 cm x 40.1 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.018

Yousuf Karsh, Terry Trush, Maurice Lehoux, Ed Thurman, Mr. Lajeunesse, Final Assembly, Painting Booth, Plant No. 4, 1951, gelatin silver print, 40.1 cm x 50.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.021

Yousuf Karsh, Orel Meunier Plant No. 2, Crankshaft Department, 1951, gelatin silver print, 40.1 cm x 50.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.022

Yousuf Karsh, Emric (Jimmy) Saska, Set-Up Man, Plant No. 2, Valve Det. 39, 1951, gelatin silver print, 50.5 cm x 40.1 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.024

Yousuf Karsh, Theophile St. Pierre, Acetylene Cutting Torch Welder Burning Tractor Axles, Foundry, 1951, gelatin silver print, 25.4 cm x 20.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.028

Yousuf Karsh, Robert Trinder, Photographed with Comparator (Training Program), 1951, gelatin silver print, 25.4 cm x 20.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.030

Yousuf Karsh, Roland Legendre With Pyrometer, Works in Foundry pouring from ladle into sand castings, 1951, gelatin silver print, 25.4 cm x 20.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.031

Yousuf Karsh, Roland Legendre With Pyrometer, Works in Foundry pouring from ladle into sand castings, 1951, gelatin silver print, 50.5 cm x 40.1 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.023

Yousuf Karsh, William N. Hagen, Plant No. 2 Camshaft, Dept. 17, 1951, gelatin silver print, 25.4 cm x 20.5 cm
Gift of the Ford Motor Company of Canada, Limited, 2013.035

Yousuf Karsh, Yousuf Karsh, not dated, silver halide emulsion on fibre-based paper, 100.6 cm x 75.2 cm
Gift of the Ford Motor Company of Canada, Limited, 2013, 2013.010

Rod Strickland, Work, 1990, steel, electrical components, plexiglas, water, 270.0 cm x 120.0 cm x 76.0 cm
Purchased with financial support from the Canada Council for the Arts, Acquisitions Assistance Program, and with funds from the Walter and Duncan Gordon Foundation and the Art Gallery of Windsor Volunteer Committee, 2000, 2000.004.A

Wyndham Lewis, Landscape (Creation Myth), 1944, coloured chalks over graphite on paper, 30.0 cm x 38.0 cm
Purchased with funds from the Bobs Cogill and Peter Haworth Estate, and with the assistance of the Government of Canada through the Cultural Property Export and Import Act, 1991, 1991.037

Wyndham Lewis, Artist’s Palette, 1940-45, oil on wood, 40.0 cm x 50.0 cm
Gift of The Estate of Marshall and Corinne McLuhan, 2014, 2014.007

Wyndham Lewis, Portrait of the Artist's Wife, 1944, coloured pencil and chalks on paper, 38.0 cm x 28.0 cm
Purchased with funds from the Bobs Cogill and Peter Haworth Estate, and with the assistance of the Government of Canada through the Cultural Property Export and Import Act, 1991, 1991.038

Nicholas Hornyansky, Detroit from the River, date unknown, colour aquatint on paper, 22/150, 43.0 cm x 32.0 cm
Gift of Miss Ada M.C. Wrong, 1963, 1963.018

Frederick B. Taylor, Downtown Detroit, Michigan from Riverview Park, Windsor, 1953, oil on panel, sketch, 23.0 cm x 30.0 cm
Purchased with funds donated by Miss Garnette Magee, 1997, 1997.009

Frederick B. Taylor, Looking South Over Windsor, Ontario, 1952, oil on canvas board, sketch , 46.0 cm x 61.0 cm
Purchased with funds donated by Miss Garnette Magee, 1990, 1990.057

Brenda Pelkey, Ocean, 2001, Ilfochrome (aka Cibachrome) mounted on aluminum with audio, 72.6 cm x 101.6 cm x 609.6 cm
Collection of the Art Gallery of Windsor, purchased with the Contemporary Art Fund and the support of the Canada Council for the Arts Acquisitions Grants program/ Oeuve achetée avec l’aide du programme de Subventions d’acquisition du Conseil des arts du Canada, 2016, 2016.004.A-G

Brenda Pelkey, Power Pole, ca. 1993, Cibachrome colour photograph, edition 1/1, 102.0 cm x 174.0 cm
Gift of the Artist, 2016, 2016.021.A

Brenda Pelkey, Superior Court of Justice - Windsor, 2005, 2016, Inkjet on bonded aluminum, edition 1/3, 101.3 cm x 134.0 cm
Gift of the Artist, 2016, 2016.022

Brenda Pelkey, Pool with Stanchions, 2013, 76.0 cm x 110.0 cm
Gift of the Artist, 2016, 2016.023

John Scott, Untitled (Stealth 3000 mph), 1997/2000, mixed media and collaged elements on paper, 46.0 cm x 61.0 cm
Gift of Chris Poulson, 2001, 2001.110

Zeke Moores, Moving Blanket, 2013, cast aluminum, etched and waxed, 15.0 cm x 81.0 cm x 213.0 cm
Purchased with the support of the Canada Council for the Arts Acquisition Grants program/Oeuvre achetée avec l'aide du programme de Subventions d’acquisition du Conseil des arts du Canada and with funds from the AGW Estate of Bobs Cogill and Peter Haworth, 2014.001

Ron Benner, As dark as the grave wherein my friend is laid, 1975-1976, photographic murals with tar, 6 panels, 213.0 cm x 213.0 cm
Purchased with funds from the Walter and Duncan Gordon Foundation and the Art Gallery of Windsor Foundation, 1989, 1989.008.A-F

Tom Benner, White Pine, 1989, colour linocut on paper, artist's proof, 143.0 cm x 71.0 cm
Gift of James B. MacNeill, 1996, 1996.011

Tom Benner, Homage to the White Pine, 1984, cold rolled metal with nails, 312.0 cm
Gift of James B. MacNeill, 1996, 1996.010

Jamelie Hassan, Slippers of Disobedience, 1996, colour photograph on masonite, neon, ceramic slippers, wooden bookstands, 122.0 cm x 180.0 cm
Purchased with financial support from the Canada Council for the Arts, Acquisitions Assistance program, and with funds from the Garnet W. and Eva Dora Humphrey Bequest, 1998, 1998.003

C. Wells, Fellini, 2006, line marker on canvas, 177.8 cm x 121.9 cm
Gift of the Artist, 2015, 2015.016

Mary Celestino, Henry’s Marsh, Pelee Island, Ont. (aka lost garden, an Eden just after the Fall, Brown's Points, 1995), 1995, acrylic on canvas, 118.0 cm x 279.0 cm
Gift of the Celestino family, 2018, 2018.018

Stan Douglas, Office Building on Eight Mile Road (from the series Le Détroit), 1998, chromogenic print, 51.0 cm x 61.0 cm
Gift of the artist, 1999, 1999.003

Stan Douglas, Michigan Theatre (from the series Le Détroit), 1998, chromogenic print, trial print, edition of 7, plus artist’s proofs, 51.0 cm x 61.0 cm
Gift of the artist, 1999, 1999.004

Stan Douglas, Row Houses at Herman Gardens (from the series Le Détroit), 1998, chromogenic print, 51.0 cm x 61.0 cm
Gift of the artist, 1999, 1999.005

Ron Martin, Five Trick Reds, 1985, acrylic on canvas, 245.0 cm x 123.0 cm
Gift of Carmen and Claire Colangelo, 2000, 2000.020

Christine Burchnall, Terminal (Windsor), 1997, laminated inkjet prints, wood (2 parts), 91.4 cm x 141.0 cm x 304.0 cm
Purchased with financial support from the Canada Council for the Arts, Acquisitions Assistance program, and with funds from the Garnet W. and Eva Dora Humphrey Bequest, 1998, 1998.006

Hortense Gordon, Derelict #1, 1955, oil on canvas, 64.0 cm x 76.0 cm
Gift of the heirs of the Hortense M. and John S. Gordon Estate, 1963, 1963.014

Hortense Gordon, Cottages, Cape Cod, date unknown, oil on canvas, 76.0 cm x 56.0 cm
Gift of the heirs of the Hortense M. and John S. Gordon Estate, 1963, 1963.015

Kara Springer, Ana & André, Untitled I, 2014, archival pigment prints, 2/4, 93.0 cm x 140.0 cm
Purchased with funds from the Lois K. Smedick Contemporary Art Fund, 2018, 2018.022.A

John Scott, Most Evil Vehicle, 1979, oil, pastel, and graphite on paper, 67.0 cm x 78.0 cm
Gift of Carmen and Claire Colangelo, 2002, 2002.102

C. Wells, 41?53’N12?30’E/ 41?58’N82?31’W, 2006, video, 8 minutes long
Gift of the artist, C. Wells, 2015, 2015.017

Brenda Pelkey, Power Pole, ca. 1993, Cibachrome colour photograph, edition 1/1, 102.0 cm x 174.0 cm
Gift of the Artist, 2016, 2016.021.A

Brenda Pelkey, Power Pole, ca. 1993, Text on acrylic, edition 1/1, 102.0 cm x 174.0 cm
Gift of the Artist, 2016, 2016.021.D

Brenda Pelkey, Power Pole, ca. 1993, Cibachrome colour photograph, edition 1/1, 102.0 cm x 174.0 cm
Gift of the Artist, 2016, 2016.021.A

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.015

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.014

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.013

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.012

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.011

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.010

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.009

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.008

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.007

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.006

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.005

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.004

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.003

Lisa Steele + Tomczak, …bump in the night (Windsor/Detroit), 2016, Epson Hot Press Bright, acid free, 100% cotton fibre, archival paper, Edition: 1 of 5, 47.0 cm x 38.0 cm
Gifts of Lisa Steele and Kim Tomczak, 2017, 2017.003.002

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401 West! Portrait of the Region

May 31 – September 29, 2019

Location: Second Floor Gallery

Participating artists:

Ron Benner, Tom Benner, Christine Burchnall, Mary Celestino, Stan Douglas, Hortense Gordon, Jamelie Hassan, Nicholas Hornyansky, Yousuf Karsh, Wyndham Lewis, Ron Martin, Zeke Moores, Brenda Francis Pelkey, John Scott, Kara Springer, Lisa Steele, Rod Strickland, Frederick B. Taylor, Kim Tomczak, C. Wells

The AGW's summer exhibition features 20 artists from the Permanent Collection showcasing 73 works!
Artists from the 1940s to present day explore aspects of the region through diverse media representing the cultural communities of London, Windsor, Chatham, and Detroit. A wide variety of painting, photography, sculpture and graphic arts are on view. The exhibition features modern and contemporary art spanning eight decades, including some never-before-seen acquisitions.

The exhibition also features a very special donation by the Ford Motor Company of Canada including 25 works from renowned artist Yousuf Karsh.

Curated by Christopher Finn.